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  • Across all scales, the studio’s work develops over time, shaped by the forces of context, material, and use.

    It is both object and environment – each space is an intervention in the city, each object an architecture in its own right.

Decorative art installation with three silver cylindrical pedestals of varying heights, each topped with red geometric containers holding pink flowers, set against a plain white background.

  • each project is a curation, a collection and a community.

    Whether architects, artists, designers or craftsmen, every community allows for a cross-collaboration that enriches the project.

Interior of a modern room with a black wooden cylindrical cabinet, a marble-topped table, a beige armchair, and a body mirror.

  • whether urban projects, architecture, interiors, scenography, or objects, each brief begins from a state of unpredictability, offering new possibilities to reveal new typologies.

Modern black metal shelving unit with various decorative objects on it, flanked by potted plants, placed on a tiled floor, with a white wall and door in the background.

  • architecture is both narrative and process, unfolding through material, memory, and intersecting disciplines.

A person sitting on a pink-cushioned chair with hands behind their head, facing a large window with a cityscape view at dusk, next to two framed objects leaning against the wall and a potted plant.

  • metal holds a place of significance in the studio’s work, shaped not only by memory but by proximity:

    the studio, perched in the loft of the metal factory he grew up in, maintains continuity between past and present.

Through a reflective surface, a wooden fruit cart with bananas and apples is seen parked on a street with cars in the background.
Decorative metal stand with two green marble bases, one holds a white candle in a black holder, the other holds a glass vase with a sprig of eucalyptus, and a beige wide-brimmed hat with a black band hangs from the taller stand.

  • a practice comfortable in the liminal, drawing together fragments – of place, material, and memory – into new spatial and cultural constellations.